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The performances are competent, but bland. I don’t want to say that this is a common problem with indie horror films, because half the fun of being a horror fan is looking for new stories amidst heaps of tired genre pastiche and shameless “homages” Carpenter has especially been homaged to death within the last couple years.
I also didn’t feel like the The was consistently bloody, or unhinged enough to hold my attention. But beyond that, I honestly couldn’t tell you what “The Void” is about aside from a blind need to establish Gillespie and Kostanaski’s technical skills as horror filmmakers.
It is indeed an homage to Lovecraft, Barker, Carpenter, Romero and Fulci who, when listed together, sound like the world’s spookiest law firm. People live, people die, monsters creep out of the shadows, but it’s all a little too formulaic, cynical, and. The, as much of a diehard fan of this movie’s influences I am, even I didn’t really care to dig out significant connections between the film’s inter-related influences.
Or use those stairs! The film’s plot is wafer-thin, but that’s not the biggest problem. Here was a gory, special-effects-driven horror film influenced by the surrealism and cosmic fear of H. Have you ever wanted to like a movie so much because you just knew that it was made for you? This film’s under-cooked style made me feel like I was watching a jumble of stuff I’ve seen before, and will see again many more times in the future. There’s not much more to it than that.
There’s a hint that the film’s human protagonists are being targeted because they’ve all experienced or are close to somebody who has experienced childbirth-related loss. The film’s frequent use of close-ups and undistinguished and primarily dark color palette never let me forget I was watching a low-budget film.
Each new trailer and Kickstarter video I did not crowdfund it, but I thought about it made me more excited. The characters never interact with each other in a way that suggests they’re thinking or feeling anything beyond a generic fight-or-flight imperative. It reminds me of an exchange from “Six Feet Under,” where an art school teacher ruthlessly dismisses one of his students’ work by telling the young Void that he isn’t saying anything with his art beyond showing off which artists he’s chosen to define his personality with.
I was sure that indie horror movie “The Void” was for me. But these scenes don’t last long, and are frequently broken up by sequences where human characters—especially Daniel—wander around, and poke their heads into places 2017 probably shouldn’t seriously, do not open that door! Cast as Kim as Allison as Dr. That’s the worst thing I can say about “The Void”: I didn’t really care who would survive, or what would be left of them.
Lovecraft andand filmmakers, andespecially Carpenter’s “The Thing,” Romero’s “” and Fulci’s “. Simon Abrams is a native New Yorker and 2017 film critic whose work has been featured Esquire, the Void Voice and elsewhere. Or enter that operating theater! The pervasive violence is monotonous.

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